Staying Fat for Sarah Byrnes

Chris Crutcher’s novel Staying Fat for Sarah Byrnes is a riveting novel about the pains of growing up both in a dysfunctional home and as an outsider in the teen scene. This touching story is packed full of believable characters and believable situations. It is a novel that often is considered for censorship, but is also a novel that could teach a great deal to young adults. It is a novel that can change the worlds of so many people who may need compassion and a helping hand.

For many young adults, growing up is painful, and compassion is difficult to find. According to Childhelp, an organization dedicated to meet the various needs of abused children, over three million cases of child abuse are reported each year. However, “experts estimate that the actual number of incidents of abuse and neglect is 3 times greater than reported” (Childhelp). This is a larger problem than many would like to admit, but Crutcher has done a great job bringing this issue to the forefront in this novel. Both Sarah Byrnes and Dale Thornton live with the problems, which arise from being raised in an abusive home. Sarah is a prankster who laughs at everything. Dale is a bully that passes on the abusive treatment he has received and learned from his father. They both have built up a wall between themselves and the world. Neither child has an adult they can trust, and they are both fully aware that telling what happens in their homes would only cause more trouble. As we learn more about Sarah’s father, it becomes quite clear why the child would fake a catatonic state.

Though it is hard for many people to understand why a child would rather spend time in a psychiatric hospital than their own home, people who have been in Sarah’s situation know when there is too much physical pain, a person will do almost anything to get away from it. Her situation is just as believable as every other situation in the book. Crutcher’s background as a therapist has served him well in writing this novel. Amazingly, Sarah does not pity herself the way she does the children who have the emotional and mental scarring inside; she does not believe she is like them. It is not until she writes the letter to Eric that she begins to realize that she acts tough and mean to hide her own pain. Sarah is not the only character whose true-to-life dysfunctional family is noticeable. Mark’s family, though not physically abusive, is just as dysfunctional than Sarah’s. Mark’s father pushes him so hard to be the perfect son that he makes bad decisions which leads to his suicide attempt. Though the father feels he is a good Christian man he has forgotten the words of his Messiah, “Let the little children come to me, and do not hinder them, for the kingdom of God belongs to such as these” (Mark 10:14). The pressure from Mark’s father has deterred the young man from his Christian responsibility to uphold the rules set down in 1 Corinthians 6:12-20, which basically says we should not fornicate. Sure Mark can spin a fine yarn as he stands upon his pulpit preaching about the sins of abortion; however, he does not seem to be able to practice what he preaches. Is this situation believable? Yes, it is common for people to fail to be able to refrain from the sins they preach against. This is seen every day in newspaper headlines across the country.

Another situation that makes the novel believable is the situation with Carver. He goes after Virgil Byrnes and ends up beating him in a questionable bout of self-defense. Many novels give the happy ending to the hero that caught the ‘bad guy,’ but Crutcher does not give the happy ending we are expecting; Carver does receive some jail time. Another unhappy ending component is that Sarah’s mom refuses to save her daughter from ongoing pain and suffering, both physical and emotional. According to the Department of Health and Human Services, “Mothers are found to be the neglectful parent in 72% of neglect cases.” All of the other situations in the novel are believable as well. According to Contemporary Authors Online Chris Crutcher has said, “It is a joy to write a tale that is believable, that is real.” Crutcher goes on to state, “Working in the mental health field provides me with some unique perspectives on the human drama – how people get stuck and how they grow” (Contemporary). Crutcher’s novel Staying Fat for Sarah Byrnes is unique because of this perspective that he feels so fortunate to have.

Although the characters are believable and the novel is unique, Staying Fat for Sarah Byrnes is often considered for censorship. In 2005 a mother in Westmoreland, New York wanted the novel to be pulled from the high school curriculum due to its “graphic language.” Though she took her attempt to the school board the superintendent Toni Kulak stated, “We’re going to continue to use the book because we think it’s valuable to our students” (School, 20). Though the novel does have some strong language and the issues raised in the novel may make people a bit uncomfortable and on edge, the novel is a powerful novel about the hardships many young adults face. This novel can give a teacher of young adults many opportunities for class discussion. For instance, in a school with high pregnancy rates, a sexual education teacher could use the novel as an outlet for class discussion about the effects of unprotected sex and abortion. Similarly, in a school where bullying is an issue, the teacher can use the novel to spark discussion on how Sarah must have felt when she was called “Scarface” by her peers, or how Eric must have felt when people called him “Moby” or “Fatboy.” There are many other topics for potential discussion in the novel. Censoring a novel with so much potential for molding young minds into compassionate minds would be a critical mistake.

Though Crutcher’s novel is marketed as a novel for young adults, the novel is suitable for adults. This novel is packed full of believable situations that many people can relate to. It can be used to teach adults and young adults about the hardships of growing up in an environment that they may not have experienced. It can be a tool for young adults who are experiencing such living environments to realize they need to learn to trust other adults, and not all adults are bad. Furthermore, the book can be used as a valuable tool for every high school classroom. In conclusion, this novel is a powerful novel that can change the world of many adults, both young or old.

Robert Browning

Porphyria’s Lover

The rain set early in to-night,
       The sullen wind was soon awake,
It tore the elm-tops down for spite,
       And did its worst to vex the lake:
       I listened with heart fit to break.
When glided in Porphyria; straight
       She shut the cold out and the storm,
And kneeled and made the cheerless grate
       Blaze up, and all the cottage warm;
       Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
       And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
       And, last, she sat down by my side
       And called me. When no voice replied,
She put my arm about her waist,
       And made her smooth white shoulder bare,
And all her yellow hair displaced,
       And, stooping, made my cheek lie there,
       And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
       Too weak, for all her heart's endeavour,
To set its struggling passion free
       From pride, and vainer ties dissever,
       And give herself to me for ever.
But passion sometimes would prevail,
       Nor could to-night's gay feast restrain
A sudden thought of one so pale
       For love of her, and all in vain:
       So, she was come through wind and rain.
Be sure I looked up at her eyes
       Happy and proud; at last I knew
Porphyria worshipped me; surprise
       Made my heart swell, and still it grew
       While I debated what to do.
That moment she was mine, mine, fair,
       Perfectly pure and good: I found
A thing to do, and all her hair
       In one long yellow string I wound
       Three times her little throat around,
And strangled her. No pain felt she;
       I am quite sure she felt no pain.
As a shut bud that holds a bee,
       I warily oped her lids: again
       Laughed the blue eyes without a stain.
And I untightened next the tress
       About her neck; her cheek once more
Blushed bright beneath my burning kiss:
       I propped her head up as before,
       Only, this time my shoulder bore
Her head, which droops upon it still:
       The smiling rosy little head,
So glad it has its utmost will,
       That all it scorned at once is fled,
       And I, its love, am gained instead!
Porphyria's love: she guessed not how
       Her darling one wish would be heard.
And thus we sit together now,
       And all night long we have not stirred,
       And yet God has not said a word!

Soliloquy of the Spanish Cloister

Gr-r-r — there go, my heart’s abhorrence!
   Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
   God’s blood, would not mine kill you!
What? your myrtle-bush wants trimming?
   Oh, that rose has prior claims —
Needs its leaden vase filled brimming?
   Hell dry you up with its flames!
At the meal we sit together;
   Salve tibi! I must hear
Wise talk of the kind of weather,
   Sort of season, time of year:
Not a plenteous cork-crop: scarcely
   Dare we hope oak-galls, I doubt;
What’s the Latin name for “parsley?”
   What’s the Greek name for Swine’s Snout?
Whew! We’ll have our platter burnished,
   Laid with care on our own shelf!
With a fire-new spoon we’re furnished,
   And a goblet for ourself,
Rinsed like something sacrificial
   Ere ’tis fit to touch our chaps —
Marked with L. for our initial!
   (He-he! There his lily snaps!)
Saint, forsooth! While brown Dolores
   Squats outside the Convent bank
With Sanchicha, telling stories,
   Steeping tresses in the tank,
Blue-black, lustrous, thick like horsehairs,
   — Can’t I see his dead eye glow,
Bright as ’twere a Barbary corsair’s?
   (That is, if he’d let it show!)
When he finishes refection,
   Knife and fork he never lays
Cross-wise, to my recollection,
   As do I, in Jesu’s praise.
I the Trinity illustrate,
   Drinking watered orange-pulp —
In three sips the Arian frustrate;
   While he drains his at one gulp.
Oh, those melons? If he’s able
   We’re to have a feast! so nice!
One goes to the Abbot’s table,
   All of us get each a slice.
How go on your flowers? None double?
   Not one fruit-sort can you spy?
Strange! — And I, too, at such trouble,
   Keep them close-nipped on the sly!
There’s a great text in Galatians,
   Once you trip on it, entails
Twenty-nine distinct damnations,
   One sure, if another fails:
If I trip him just a-dying,
   Sure of heaven as sure as can be,
Spin him round and send him flying
   Off to hell, a Manichee?
Or, my scrofulous French novel
   On grey paper with blunt type!
Simply glance at it, you grovel
   Hand and foot in Belial’s gripe:
If I double down its pages
   At the woeful sixteenth print,
When he gathers his greengages,
   Ope a sieve and slip it in ’t?
Or, there’s Satan! — one might venture
   Pledge one’s soul to him, yet leave
Such a flaw in the indenture
   As he’d miss till, past retrieve,
Blasted lay that rose-acacia
   We’re so proud of! Hy, Zy, Hine ...
“St, there’s Vespers! Plena gratiâ
   Ave, Virgo! Gr-r-r — you swine!

I was very disturbed when I read “Porphyria’s Lover.” I thought, “Oh my! I didn’t just read a poem about auto-erotic asphyxiation, did I?” Browning’s poetry is, by far, more different than anything else we have read. It is so violent. Browning feels that sin motivates people. According to Browning, Victorian times brought about a sense of moral decay. He was attempting to find an end to the struggle between morality and sensuality. There is also an outcry against religious instability found in Browning’s poetry. Overall, he was trying to make the reader more aware of the world in which they lived.

“That moment she was mine,…I am quite sure she felt no pain.” (“Porphyria’s Lover;” lines 36-42)

In order for the character to maintain the innocence of this moment of prohibited sex forever, he strangles the young girl. It is this fine line between sensuality and morality that the character struggles with.

“And this we sit together now, / And all night long we have not stirred, / And yet God has not said a word!” (“Porphyria’s Lover;” lines 58-60)

The character is still satisfying his senses by his play and embrace of Porphyria’s corpse. He tells us that his actions are acceptable because God has not struck him down. God has done nothing. Browning is prompting the reader to ask where The Church is when all of this immoral behavior is going on.

Text: “G-r-r-r – there go, my heart’s abhorrence!...would not mine kill you!” (“Soliloquy of the Spanish Cloister;”)

This monk is having evil thoughts about Brother Lawrence. He has hatred in his heart. The character is thinking of killing Brother Lawrence. Browning is trying to get the reader to realize that even the most trusted members of The Church are not free from sin.

Stanza 9 of “Soliloquy of the Spanish Cloister” (lines 65-73)

The monk even speaks of striking a deal with Satan in order to betray his brother. The speaker says, however, that he plans to betray Satan as well. A sin such as a monk making a deal with Satan is one of the worst sins that one could commit. This is a good example of how Browning is trying to get the reader to see the severity of the crimes committed by those in charge of The Church.

The visions that Browning gives us from his poetry are not only reflective of his era, but also reflective of ours. Browning’s use of monks throughout “Soliloquy of the Spanish Cloister” allows the reader to see that not even the holiest of men are not free from sin. They cannot be trusted either. In today’s society there is also a distrust of clergy. In “Porphyria’s Lover,” we get a portrait of a murderer who likes to toy with the corpse of his victim. This is not unlike men such as Jeffrey Dahmer. The similarities between both societies are astounding.